Saturday, August 01, 2009

The Magic of Creative Flow

Originally posted in Evolution Ezine at the following site:

http://evolutionezine.com/creative-flo/

Artists describe it as “rapture”.
Mystics describe it as “ecstasy”.
Athletes describe it “being in the zone”.
Taoist scholar Chuang Tzu describes it as a state where "perception and understanding come to a stop and the spirit begins to move where it wants”.
And Mihalyi Csikszentmihalyi (pronounced Me-hi Chicksent-me-hi), a research psychologist and former chairman of the psychology department at the University of Chicago who has devoted his life to the study of flow, describes it as an optimal experience during which people feel that they are engaged in a creative unfolding of something greater than the task at hand. As a result of this engagement, they experience a deep sense of fulfillment and spontaneous joy.

Flow is achieved any time when we are able to experience full, positive engagement with what we are doing, that is, whenever we are able to put everything we have into the engagement. The nature of the activity, may it be art, problem-solving, innovation, games, sports, work or hobbies, does not matter in the least. It is during the total un-self-conscious tuning into the present as well as the activity in which we are engaged when our emotions are positively energized and completely aligned with the task at hand.

Csikszentmihalyi has identified and outlined several elements of the experience of flow, of which the following six are the most characteristic:

The flow is a state of self-forgetfulness.

While in the flow, we are performing at their peak, and we are so fully absorbed in their task at hand that welose all self-consciousness. Moments of flow are egoless. When experiencing the flow, we are unconcerned with how we are performing, or whether we will succeed or fail. In fact, we are not even consciously experiencing satisfaction or joy. In fact, if we were to stop and think, “Oh how happy I am” or “I’m doing this so well”, the flow may as such be interrupted by the shift of focus from the task to the self. And feelings of deep satisfaction, elation, fulfilment that accompany the flow are usually consciously realized in retrospect.

In the flow, there is no perception of space and time.

While in the flow, the outside world fades away, while full focus is maintained on the task at hand. Distractions are excluded from consciousness. Performing artists will become unaware of the audience, and in fact, after the performance is over, they may not remember much about it too. A skier who won a gold medal at the Winter Olympics in 1994, when interviewed about her experience, said that she remembered nothing about it except being immersed in relaxation. She said: “I felt like a waterfall”. While in the flow, time becomes an ever-present "now" in which awareness and action are merged into one. Instead of the individual being in charge of the process, the process seems to be in charge of itself. Each step emerges out of the previous one seemingly in one, single extended moment.

In the flow, the brain is in a “cool” state.

The quality of attention while in the flow is highly focused, yet completely relaxed and at ease. When people reach this effortless state of flow, their brain actually quiets down even though the activity may be quite challenging. But once we become totally attuned to the task at hand, as well as are positively and emotionally immersed into it, our brains work unhindered by any other concerns such as worry or fear. The zone of flow is described as an “oasis of cortical experience”, with only a bare minimum of mental energy being expended.

The flow occurs when the activity is “autotelic”.

In other words, the activity is done just for its own sake, and is perceived as an end in itself. Researchers have found that flow is achieved more easily by artists who just focus on their artwork, instead of focusing on the future benefits of fame and wealth that their artwork may bring. The same results have been found in self-reports from athletes, writers and innovators, who have begun their tasks at hand or undertaken their specific challenges not as means to an end, but as ends in themselves. In this case, they are perhaps perceived them as opportunities to try something new, to excel in something, or to stretch and outdo themselves.

While in the flow, people are tireless.

When the brain is operating at peak performance, even very challenging tasks that require very hard work are experienced as refreshing or replenishing rather than draining. This occasionally may have some negative side-effects, because the brain does get tired eventually and fatigue may ensue. Most people who have learned to get into the zone of flow usually know when to take a break or stop working on their tasks for a while, but at the same time also know that they can get back into it anytime they want.

The flow is “addictive”.

This happens for two reasons:

1) Because the flow frequently occurs when an activity challenges us to the fullest of their capacities, our skills will tend to improve or increase in the process and therefore the next challenge would need to be heightened for us to get into the flow, like a larger dose of a drug.

2) The flow feels good and is intrinsically rewarding; for this reason, people tend to want to repeat the experience of flow as frequently as possible. An owner of a large retail company once described the elation he felt in applying some new systems in the organization of his company to improve company-customer relations. His high level of involvement in the project could be felt tangibly as he talked about it, and it could be seen in his shining eyes the excitement and rapture that he felt. As soon as his project was complete, and when the new systems were running perfectly, he immediately embarked upon a new project with “even better” systems for improving the company's customer relations that he had in the meantime discovered. In other words, he was hooked on the flow.

How easy is it then to experience flow?

The whole key to getting into the flow is achieving the state of self-forgetfulness that the experts stress on, by totally focusing on the task at hand with positive expectation and total emotional engagement. Usually, our brains will create some “static” in the first few minutes until they becomes completely aligned with the task at hand. By then as if by magic, we would be suddenly thrust into the zone experiencing the magic of the flow.

P.S. Ismini Apostoli is a clinical psychologist and psychotherapist, practicing in Greece and offering online services throughout the world. She is particularly interested in self- esteem, self-development and self-actualization and helping people uncover their special gifts and talents. You can find out more by visiting the following site:

http://www.yourempowermenttherapist.com


Saturday, July 25, 2009

I Feel Pretty

(Except from the musical "West Side Story", also used in the movie "Anger Management" by Dr. Buddy Rydell, played by Jack Nicholson)

MARIA:

I feel pretty,
Oh, so pretty,
I feel pretty and witty and bright!
And I pity
Any girl who isn't me tonight.

I feel charming,
Oh, so charming
It's alarming how charming I feel!
And so pretty
That I hardly can believe I'm real.

See the pretty girl in that mirror there:
Who can that attractive girl be?
Such a pretty face,
Such a pretty dress,
Such a pretty smile,
Such a pretty me!

I feel stunning
And entrancing,
Feel like running and dancing for joy,
For I'm loved
By a pretty wonderful boy!

GIRLS:

Have you met my good friend Maria,
The craziest girl on the block?
You'll know her the minute you see her,
She's the one who is in an advanced state of shock.

She thinks she's in love.
She thinks she's in Spain.
She isn't in love,
She's merely insane.

It must be the heat
Or some rare disease,
Or too much to eat
Or maybe it's fleas.

Keep away from her,
Send for Chino!
This is not the
Maria we know!

Modest and pure,
Polite and refined,
Well-bred and mature
And out of her mind!

MARIA:

I feel pretty,
Oh, so pretty
That the city should give me its key.
A committee
Should be organized to honour me.

GIRLS:

La la la la . . .

MARIA:

I feel dizzy,
I feel sunny,
I feel fizzy and funny and fine,
And so pretty,
Miss America can just resign!

GIRLS:

La la la la . . .

MARIA:

See the pretty girl in that mirror there:

GIRLS:

What mirror where?

MARIA:

Who can that attractive girl be?

GIRLS:

Which? What? Where? Whom?

MARIA:

Such a pretty face,
Such a pretty dress,
Such a pretty smile,
Such a pretty me!

GIRLS:

Such a pretty me!

ALL:

I feel stunning
And entrancing,
Feel like running and dancing for joy,
For I'm loved
By a pretty wonderful boy!

Saturday, July 04, 2009

Ciak Products

I have known Ciak as a brand for some time now and have always wanted to own a Ciak sketch book, notebook or journal. I have just bought a bright yellow CIAK (pronounced as "Chack") large (21cmx15cm) sketch book. And I have to say I am more than pleased to have made this purchase.

All Ciak products are handmade in Florence, Italy. Its covers, which come in a wide multitude of bright coloured choices, are made from smooth and soft Italian bonded water-resistant leather, thereby ensuring that it is firm but yet flexible. I prefer this texture to even the Moleskine line of notebooks.

A distintive feature of this product is its patented horizontal elastic band, whose major advantage is that I can securely fastened a pen to the sides of the notebook without fear of loss or damage. As for my preferred choice of pen is the fountain pen, and I am pleased to say that its 140 pages of permanently bound, plain ivory coloured paper is extremely friendly fountain pen ink.

I highly recommend this product to any individual who enjoys having a trusty and colourful sketching / writing companion to document all the sights and sounds of his journey through life.

P.S. Please check out my recommendation on Ciak Products at ThisNext by clicking on the link as stated in the following:

http://www.thisnext.com/item/5EA66ED2/1574DA8A/Ciak-Products

Friday, June 19, 2009

惊情七变

(武尊皇影混七式刀意为一的终极武学)

心中无物,则傲视苍生 (
傲苍生
有情心乱,乱心则愁,愁肠百结之时,遗世忘机之始 (
困愁城
人乃万物之始,人心有知,有知则有情,有情则心乱 (
乱情斩
贪嗔痴,愁煞人,且自逍遥,把痴心断 (
痴断肠
心断孤寂,寂闻而静 (
静惊心
一物不存心,一念动三千,出入世间,不留怨慰
四方八面,风起云涌,天愁地惨,情景凄凉伤心
浮云生死,日月无我,由静而冷,由冷而亡 (
横眉冷
但去莫复闻,悲伤竟无尽,世道沧桑,邪魔作乱,众生皆苦,唯我怒问天 (
怒问天
七情已尽,尽归一刀 (惊情七变

Tuesday, May 19, 2009

七式刀意

(武尊皇影独门武学,佩刀为惊寂)

口诀为:

第一式: 乱情斩
愁肠兮百结之时,遗世兮忘机之始.
情深兮心乱如麻,碎星兮斩梦无痕.

第二式: 困愁城
漂泊半生觅敌手,人刀两忘难回眸.
坐困愁城心不动,绝顶刀客万古愁.

第三式: 傲苍生
正邪善恶本体同,惊途寂寞萧瑟中.
心中无物何堪惧,傲啸红尘撼苍生.

第四式: 痴断肠
贪嗔痴狂愁煞人,且自逍遥不留痕.
纵横半生痴绝处,一刀断肠一身恨.

第五式: 静惊心
静寂无声刀无影,乱情离绪人无名.
心事浩茫天无道,浪迹天涯终无情.

第六式: 横眉冷
坐看浮云忘生死,光盖日月无我心.
横眉怒目问天语,冷对千夫一刀魂.

第七式: 怒问天
魔魅横行乱世间,愁云凄雨尽人烟.
众生皆苦唯我傲,横刀一怒问苍天.

Saturday, April 18, 2009

因果轉業訣

(僧皇不虚独门武学)

分为:
小轉業,大轉業,萬道不倒,恍如隔世,業轉乾坤.

口诀为:
因果相连易数终,晦极生明道无穷.
中庭关开任做引,驾赛去来自为宫.
天数茫茫未可知,莲台九转各望枝.
三焦汇聚两脉成,正是商阳气生时.

Wednesday, March 18, 2009

You look like what you feel

(By David Deida, Blue Truth)

“When you consistently open as love, you begin to look like love.”

Whatever you pay attention to, right now, you begin to look like.

Whatever you have spent time attending to in the past, you already look like.

What would a videotape show if you had been recorded for the last eight hours? Would your face be long or glowing? Would your chest be sunken or beaming? Would you move like a nervous robot or an ebullient lover?

Suppose you sit at a computer all day, staring into the screen, pushing around words and numbers. Day after day, your body and mind resonate with cyberspace. You can easily begin to look like the dry domain to which you have been attending: functional, logical, insensate. Your shoulders can become hunched, your head tight, your body vacant. Feeling into a computer day after day can de-vitalize you.

Or, suppose your lover leaves you, and you spend the day mulling over the break-up, feeling hurt, depressed, and afraid. Your chest caves in, your breath becomes shallow, your face waxes pallid. You begin to look like the domain of dark and sagging emotional energy to which you have been attending. Feeling into gloomy sentiments, your entire demeanor is endarkened.

Imagine that you’ve just won a million dollars. Your eyes widen, your face flushes, you dance and scream and whoop, hugging everyone around you. You look like the domain of abundant energy to which you now attend, thanks to your million-dollar moment. Feeling into the huge flow of money invigorates you.

Where you put your attention defines how you look and feel. For instance, you could attend to your genital need. You could go to a party and put your attention on potential sexual partners. Eventually, if all you did was place your attention on sex, you would begin to look and feel like a genital with arms and legs. And if you go to a singles bar, you may indeed see a number of walking, talking genitals.

On the other hand, right now, you can feel into the deepest love in your heart. You can remember someone you truly love, or you can simply feel directly into your deep heart, attending to its openness, compassion, and care. You can do this through the day. Even when something upsets you, you can choose to put your attention on your heart, and feel into the domain of love.

Feel the beating of your heart now. Relax your body and soften your breath so you can feel your deep heart beating and pulsing outward to your hands and feet and head. Imagine opening your chest so your heart was exposed to the world without protection, glistening, alive, tender. Imagine offering your beating heart as a gift to all, like offering a vibrant, delicate flower to your lover.

Opening your heart to all, feel your offering as love. What does love feel like? How does love show? As you feel your beating heart and open outward to all, what would a videotape of you reveal?

When you consistently open as love, you begin to look like love. Your face shines. Your eyes sparkle. Your body moves with grace, opening as the tide of love swelling from your deep heart to all—through the day, at work, during sex. Your voice carries the fullness of love rather than the stress of genital need or the exasperation of emotional betrayal. Since every part of you takes on the characteristic of what you feel, if you feel as love you show as love.

You can attend only to your worried thoughts and troubled emotions, and therefore appear as a twisted and fearful character. Or, even when you are worried or troubled, you can feel open as an offering of love.

Through this practice of feeling open, history evaporates as it occurs. Openness prevails. Love appears as you.

P.S. The above prose was taken from Chapter 8 of David Deida’s work entitled “Blue Truth”.

Thursday, February 12, 2009

無求易訣

(樓蘭古城皇族独门武学)

口诀为:
有物混成天地生,
道法自然反之動,
雪湧自化轉乾坤,
虛懷若穀無崖岸,
大成若缺盈若沖,
萬物為一氣自化,
怒濤拍岸,
易轉化物.

Monday, January 12, 2009

冰心訣

(聶氏家宗家传武学)

口诀为:
心若冰清,天塌不惊
万变犹定,神怡气静
尘垢不沾,俗相不染
虚空甯宓,混然无物
无有相生,难易相成
份与物忘,同乎浑涅
天地无涯,万物齐一
飞花落叶,虚怀若谷
千般烦忧,才下心头
即展眉头,灵台清悠
心无罣碍,意无所执
解心释神,莫然无魂
水流心不惊,云在意俱迟
一心不赘物,古今自逍遥

Thursday, December 11, 2008

Essene Teachings

To lift your eyes to heaven,
When all men’s eyes are on the ground, is not easy.
To worship at the feet of angels, when all men worship only fame and riches, is not easy.
But the most difficult of all is to think the thoughts of angels, and to do as angels do.

As the son inherits the land of his father, so have we inherited a Holy Land from our Fathers.
This land is not a field to be ploughed, but a place within us where we may build our Holy Temple; that which we have inherited from our Fathers, and their Fathers, Fathers.

The Holy Temple can be built only with the ancient Communions, those, which are spoken, those which are thought and those which are lived.
The Communions are a bridge between man and the Angels, and like a bridge, can be built only with patience, yet, even as the bridge over the river is fashioned stone by stone, as they are found by the water’s edge.

And just as the roots of the tree sink into the earth and are nourished, and the branches of the tree raise their arms to the heaven, so is man like the trunk of the tree, with his roots deep in the breasts of his Earthly Mother and his soul ascending to the bright stars of his Heavenly Father, and this is the sacred Tree of Life which stands in the Sea of Eternity.

To lift your eyes to heaven,
When all men’s eyes are on the ground, is not easy.
To worship at the feet of angels, when all men worship only fame and riches, is not easy.
But the most difficult of all is to think the thoughts of angels, and to do as angels do.

Tuesday, November 11, 2008

Random Thoughts: Lessons From Don Juan

(Carlos Castaneda)

A sudden gust of wind hit me that instant and made my eyes burn. I stared towards the area in question. There was absolutely nothing out of the ordinary.
“I can’t see a thing”, I said.
“You just felt it”, he replied.
“What? The wind?”.
“Not just the wind”, he said.
“It may seem to be wind to you, because wind is all you know”.

P.S. This is a follow-up on my previous Random Thoughts post marked "Columbus' Clippers". I asked previously, "how many times in our lives did we not see something simply because we did not believe that it was possible?" This time, I am asking "how many times in our lives did we not see something simply because we did not know?" Spiritually speaking, I think they are more or less the same question.

Saturday, October 11, 2008

Point of Law: If it ain't broke, don't fix it.

When the layman on the streets says:
"If it ain't broke, don't fix it";
The lawyer will say:
"Insofar as manifestations of functional deficiencies are agreed by any and all concerned parties to be imperceivable, and are so stipulated, it is incumbent upon said heretofore mentioned parties to exercise the deferment of otherwise pertinent maintenance procedures".